Since its founding in 1978, Sinfónica de Minería has become an integral part of Mexico City's cultural life. It's known for its bold repertoire that mixes classical masterpieces with premieres of Latin American music, all the while maintaining a steadfast commitment to crafting a sound of excellence. Under the artistic direction of Carlos Miguel Prieto, it has emerged as one of the most dynamic, engaging, and prestigious ensembles in Latin America. Concert video's from Sinfónica de Minería are now available on Symphony.live.
The Sinfónica de Minería stands as one of the most distinguished and acclaimed ensembles in Latin America. Their live performances are celebrated for their vibrancy and commitment to delivering unforgettable musical experiences to audiences. Their recordings have earned five Grammy nominations, and they won a Latin Grammy in the "Best Classical Composition" category for their recording with Pacho Flores on the trumpet, playing Paquito D'Rivera's Concierto Venezolano. Sinfónica de Minería is the first Mexican orchestra to record with the legendary Deutsche Grammophon label and the first Latin American orchestra to participate in the prestigious Bravo! Vail Music Festival. It has commissioned over fifty works from living composers, marking it as one of the most supportive institutions of contemporary Latin American music. Currently, Sinfónica de Minería is recording the complete orchestral works of Silvestre Revueltas, a groundbreaking project in the history of art in Mexico.
History:
Sinfónica de Minería was created through the joint efforts of the Mexican business community, the Instituto Nacional de Bellas Artes (INBA), and UNAM. Its birth was a response to the need for a world-class symphonic ensemble that could contribute to the cultural vibrancy of Mexico.
Led by the visionaries of the time, including conductor Jorge Velazco and a group of dedicated musicians, Sinfónica de Minería embarked on its musical journey. The orchestra's name pays homage to the iconic Palacio de Minería, a neoclassical building in Mexico City where its early concerts were held.
Artistic Growth:
Over the years, Sinfónica de Minería has evolved and matured under the guidance of various renowned conductors (Jorge Velazco, Luis Herrera de la Fuente, Carlos Spierer, and Carlos Miguel Prieto). These leaders have shaped the orchestra's artistic identity and contributed to its reputation as one of the finest in the region.
The orchestra has consistently showcased a diverse repertoire, encompassing classical masterpieces, contemporary works, and Mexican compositions (by composers such as Gabriela Ortiz, Ana Lara, Mario Lavista, Federico Ibarra, or Samuel Zyman). It has collaborated with esteemed soloists, both Mexican and international, like como Kathleen Battle, Paquito D´Rivera, Maureen Forrester, Hans Richter-Hasser, Gabriela Montero, Philippe Quint, Leonid Kogan, Pacho Flores, Francisco Araiza, Ramón Vargas, Diana Damrau, John Ogdon, Sonya Yoncheva, Fiorenza Cossotto, Nicanor Zabaleta, Elina Garanca, Juan Diego Florez, Eugen Fodor, Pablo Sáinz-Villegas, Javier Camarena, Nadine Sierra, Jean-Yves Thibaudet or Vadin Gluzman.
Cultural Contribution:
Beyond its regular concert schedule, Sinfónica de Minería has played a vital role in promoting music education and cultural outreach programs. The orchestra has been actively involved in initiatives aimed at fostering a love for classical music among diverse audiences, including students and communities with limited access to the arts.
Legacy and Impact:
As Sinfónica de Minería continues to evolve, its legacy extends beyond the confines of concert halls. The orchestra has become an integral part of Mexico's cultural tapestry, inspiring generations of musicians and music enthusiasts.
With a rich history spanning several decades, Sinfónica de Minería remains dedicated to its mission of elevating Mexico's musical landscape and contributing to the global conversation in classical music. As it enters new chapters of its journey, the orchestra undoubtedly continues to enchant audiences with the timeless beauty of symphonic music.
Go to the Sinfónica de Minería website
Go to the Sinfónica de Minería calendar
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The Sinfónica de Minería's 250-Year Anniversary Beethoven cycle commences.
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The Sinfónica de Minería continue their Beethoven cycle with a performance of the composer's expressive Second.
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Mexican colors and motifs come to the foreground in this vibrant 'Toccata for Percussion Instruments'performance.
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The Sinfónica de Minería commences its 2021 Virtual Summer Season with a glorious performance of Aaron Copland's beloved 'Appalachian Spring'.
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The Minería Pops performs a spectacular arrangement of the classic Iron Maiden song 'Fear of the Dark'.
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Led by Raúl Delgado and joined by soprano Anabel de la Mora, the orchestra pays tribute to the best of Mexican composers.
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La Sinfónica de Minería te invita a celebrar las fiestas con una velada lúdica y festiva junto al director Carlos Spierer y el tenor Alan Pingarrón.
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The Sinfónica performs Samuel Barber's heart-wrenching 'Adagio for Strings' under the baton of music director Carlos Miguel Prieto.
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Payare wird von Sopranistin Hannigan in dieses Programm begleitet, dessen Höhepunkt die Aufführung von Berlioz' Symphonie fantastique ist.
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Nathalie Stutzmann entführt Sie in ein düsteres, ahnungsvolles Reich, in dem Hoffnung und Licht in ständigem Widerstreit mit heftigen Stürmen und wogenden Schatten stehen.
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Der Geiger Leonidas Kavakos steht im Mittelpunkt des Violinkonzerts von Brahms, gefolgt von Beethovens 'Pastorale' Sinfonie unter der Leitung von Daniel Harding.
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Eine Aufführung, die von einer transformativen Energie angetrieben wird und in der wir sowohl Honeggers dritte als auch Brahms' vierte und letzte Symphonie erkunden.
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Semyon Bychkov is joined by Uzbek pianist Behzod Abduraimov in this double-bill of modern Russian classics.
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Genießen Sie das majestätische Orchester und den Dirigenten, während sie eine furchtlose Interpretation von Bruckners Symphonie Nr. 6 aufführen.
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Schuberts lyrische 'unvollendete' 8. Symphonie leitet dieses charismatische Konzert ein und schließt mit Anton Bruckners heiliger 9.